I approach my studio practice in the belief that the idea is essential to the object; material choices are secondary and are made in terms of the most successful way to express the concept. Sculpture is a language, and by mastering the applicable fabrication processes, I believe artists are capable of expanding their vocabulary, allowing for a greater articulation of the most complex ideas.
My recent sculpture draws influence from contemporary mythologies and low brow sources, such as heavy metal music and comic books. Through adopting these sources of disposable culture I am engaged in investigating the division between high art and popular culture.